Are there any topics we cannot write poems about? Can we write about love or death or the soul or suicide or any other abstraction when Shakespeare and Dickinson and Frost and Plath have covered that territory so well already? Can we write about the funeral of our grandmother with her cold hands folded as […]
In a desperate attempt to break my writer’s block (most notably my inability to sustain anything without getting sucked into the wormhole of the Internet, Googling phrases like “medieval brassieres” and “who is Demi Moore dating now?”), I signed up for an online writing class. I was skeptical at first–thinking that it would be some […]
Author Nomie Eve spoke with Philadelphia Stories about her new novel, Henna House.
In 2001, Nomi Eve’s first novel, The Family Orchard was published by Alfred Knopf with a print run of 100,000. It was a Book-of-the-Month Club selection and was nominated for a National Jewish Book Award. It also received positive reviews from the New York Times, Newsday and Time magazine.
After a ten-year period when she didn’t submit her work for publication, Rae Pagliarulo won the Sa
The sonnet is a paradox: fixed yet flexible, consistent yet versatile. It’s one of the most lasting modes of literary expression, dating back to the 13th Century writer Francesco Petrarca. I’ve been thinking about sonnets a lot lately. As more animated gifs, emoticons, and emoji creep into daily life, supplanting not only words but complex feelings, what’s the sonnet’s role? What can Twitter bards and emerging writers learn from the conventions and puzzles of sonnets?
You’ll have to find out what motivates you
Great writing has heart. It really is that simple, although it’s not easy. Former world- class athlete, Don Bajema, presents a ‘Baby Boomers’ generation that is wide-eyed and innocent. His self-styled anti-hero, Eddie Burnett, is taken to the horrible edge of things — but Bajema stops there, allowing the reader to bear witness and Burnett to make up his own mind.
As a student-writer, I was hesitant to approach a writing professor with over thirty years of teaching experience under his belt—what questions could I ask that he hadn’t heard
Through her innovative technique of crossing lines of charcoal, Anastasia Alexandrin is charting a fresh, new, course in the art world.