Charley, or Cholley, or Chol—
grew gardenias, raised kids and tropical fish,
and broke the knees and heads of grown men.
A soldier in a fitted
charcoal-grey wool topcoat and pearl grey felt hat,
with a wide band of black ribbon around the crown—
his shiny black Pony-ac Ventura made all three
of the city’s newspapers back in 1960 during the strike
(“but the assailants are still un-identified”).
Now Cholley’s seventy-two years old,
retired (more or less honorably dis-charged) and pensioned.
He’s also cirrhotic, and diabetic,
and dying, too, of lung cancer—and mugged last night,
caught downtown, just off Broad
between Chestnut and Market, behind John Wanamaker’s
fifteen-story, block-long, block-wide, department store
took my fuckin’ watch and wallet
his face, still, at once brutale, and placevolissimo,
his crooked and chipped-tooth smile and bright eyes,
his old ploy of raised eyebrows,
like a good-natured and confident kid’s
false show of helplessness
an’ I couldn’t do nothin’ about it—
three kids, callin’ me “pops”
his thinning hair, poker straight and lightly oiled,
combed straight back from a still-good hairline—
his large dark head, Sijjy, Sijli-ahn,
Sicano (Sicilian), on a short, thick neck, Sicario (cut throat)
—not a fuckin’ thing.
Harry Gieg grew up in North Philadelphia. He’ s published poetry in journals ranging from Pennsylvania Review to Jacaranda. Gieg is also a singer, starting in mid fifties with inner-city R&B vocal groups. Referring to his poetry, Gieg explains, “Mostly I’m still singing.”Harry Gieg grew up in North Philadelphia. He’ s published poetry in journals ranging from Pennsylvania Review to Jacaranda. Gieg is also a singer, starting in mid fifties with inner-city R&B vocal groups. Referring to his poetry, Gieg explains, “Mostly I’m still singing.”