Columns

If I’m hooked in the first paragraph, I am more likely to give the writer the benefit of the doubt on page three, when he stumbles on an awkward bit of dialogue.

As we enter year six of publication, we can reflect on another good year. Why? One word: members.

It was about one year ago when we sat down with Marc Schuster, our book acquisitions editor, and Alison Hicks, founder of the Greater Philadelphia Wordshop Studio, a well-known Philadelphia-based creative writing workshop.

Years ago, as a graduate student in writing at DePaul University, I took two fiction classes from Phyllis Moore.

We have lots of events this spring for literature lovers – including our biggest FUNdraiser of the year: our online auction
and spring fling. So, get out your calendars – here are important dates to note:

Find an enthusiastic (and, in retrospect, possibly gay?) English teach named Mr. Calise who encourages your fledging writing efforts, including a full-length revision of Flowers for Algernon which you turn into a six act play.

First,  you  must  experience  an early  trauma.  It  can  be  as  dramatic  as  a  kidnapping,  a  house fire,  or  abuse  from  a  trusted adult or  something  as  simple  as being an only child to

I sit at the kitchen table with the story in front of me and search for positive feedback. Something more than, “Your font is really readable,” or “Your title, ‘Hills like White Giraffes,’ is very clever.”

When we started Philadelphia Stories, we developed a five-year strategic plan that included the launch of a book division, the institution of affordable writing workshops, and other opportunities for professional development.

As usual, things rarely slow down for us at Philadelphia Stories, and this spring was no exception. With the introduction of our successful fiction writing workshops, taught by Aimee LaBrie and Marc Schuster , we’ve branched out into another area of professional development—one that we hope will continue to thrive.