My lover has two glass eyes.
She plucks them out
and we shoot them like marbles
in my driveway. At parties, she floats
them in the punch bowl,
and waits for the screams
after they are scooped into a cup.
My lover has two glass eyes.
The spring I turn fourteen I notice Steve. He is tall with slanted eyes and long black hair. I love him instantly.
Summer dawns, humid and sweet. Steve invites me to get a little drunk under the trees. The two of us drink wine from red plastic tumblers. When we kiss he tastes like cinnamon gum.why does he taste like gum when he’s been drinking wine? I spend years chasing that moment.
Your mom told me write this down, just in case. She worries. Never tells me straight out I should quit, but she thinks it all the time. I know. I see it in those looks. Those big bright eyes make you feel like you better come up with something quick and you find yourself thinking, what?
February. Plowed hills of gray snow bordered Philadelphia, block after block. Clattering trains and muddy sidewalks echoed unkept promises and, each day on the busy streets near his office, Walt heard the unnerving chatter of businessmen and false camaraderie. After work, Walt bent in against cold air, crossing icy walkways under the hulking metal of the Ben Franklin Bridge. He wanted nothing more than warmth. Uncomplicated company. At the Waterfront Bar, American flags snapped and collapsed in the shifting winds, and Walt spent the better part of each night there trying not to be so angry.
There’s graffiti on the mushroom shed
painted large, defiant,
in nothing like earth tones.
No brown, no beige, no muted gray,
(colors more appropriate
for the growing fungus within)
but loud raucous
Into the second season
of not eating
there was still Time in me, enough
stored hours to keep trekking
When I insisted that fixing my glasses with a welding torch was a bad idea, my grandfather asked if I’d ever read Slaughterhouse-Five by Kurt Vonnegut. The book, he said, was about an optometrist who’d made a fortune selling frames.
Two pairs of shoes on a bare closet floor: an interior view.
I am carrying Annie’s painting along a snowy trail.
High-heeled shoes, one pair a silk chartreuse—
I carry Annie’s painting along the whitened path.
Camille Paglia has never lacked courage. Her breakout work, Sexual Personae (1991) established her reputation as an American intellectual about whom no one is neutral. Her latest book, Break, Blow, Burn: Camille Paglia Reads Forty-Three of the World’s Best Poems, is also an act of courage. It is her selection of 43 poems with literate commentary on each for a general readership, blending literature, psychology, and culture. Her literary roots rest in the soil of the late ‘50s and early ‘60s, the eras of Ginsberg, Corso, Kerouac, and Ferlinghetti. Poetry was big and the poets were “street smart” American royalty. That prestige no longer exists today, but Paglia can serve as a guide to a return to the power of language and the magic of words.
Love is aimless, wants direction, wants to feel important.
So he walks into a recruiting station, looks at pamphlets
that read: “Be All You Can Be” and “Army of One.”